Three forest embroidery techniques
Sanlin embroidery Salim unique to the region the local embroidery in the form of, is one of the of embroidery art genre most representative in Shanghai regional culture.
Sanlin embroidery ancient name "Yun embroidery", is a primer color line with embroidery needle, the needle embroidery on textile materials by design patterns, embroidered trace the patterns of traditional arts and handicrafts. It set the essence of Chinese traditional four famous embroideries, the essence of the financial Ming Dynasty Shanghai Lu Heung Yuen Gu embroidery in local embroidery skills base, and on this basis to focus on the fashion element, creating and other embroidered Law genres of fine lines and dense, needle, stitch and diverse, rich colors, refined and delicate needlework marks without leaving known for its unique pumping, pull, carved "skill is called a must. ("Pumping" silk deprived of crossing a wire to form a geometric pattern; "pull", with needle and thread strands into a wide variety of patterns; "carving", the plane cut with scissors some of the parts, and then "carved" into the hollow of the three-dimensional pattern.)
Sanlin embroidery as an integral part of the traditional culture, thousands of years of history in the development process has penetrated the spirit of the local people, habits, mental, emotional and aesthetic way, whose works can be close to the people living with the local people lifestyle characteristics of life, interest in life is closely related. Its energy is infinite in succession and development, both show a variety of embroidery skills, and re-employment for women widen the road. His works not only with families with higher utility value, but also as a craft has high ornamental value for collection.
However, with the development and changes of the times, embroidery, computer embroidery appear Sanlin embroidery facing the risk of lost, specifically the gradual shrinking of the older generation of embroidery artists performance in Sanlin embroidery inheritance process, the new generation of cultural interest to modern culture. divergence, and recorded in the relevant technical expertise books image data seriously missing Sanlin embroidery survival and development has brought great difficulties, therefore, it is necessary to Sanlin embroidery as a non-material cultural heritage objects to be protected and better protection of mining, development and utilization.
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